ㅤㅤㅤㅤ ㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤㅤ ㅤㅤㅤㅤ ㅤㅤ ㅤㅤ ㅤㅤㅤ ㅤ [⠀⠀] CONNELL IS THE ARTIST BEHIND ‘VAGARIES’. HE IS HIDDEN BENEATH A BLANK PAGE BECAUSE THE ART AND NOT THE ARTIST MUST BE THE MUSE OF ALL JUDGMENT. ‘VAGARIES’ IS FORM, NOT PHILOSOPHY. THAT IS THE ARGUMENT. THAT FORM OUGHT ONLY TO BE A MEANS IS PHILISTINE. HE CONJURED THE MOST INIMITABLE PROJECT OF THE CENTURY AND ACADEMICS DEMANDED SOURCES. IN RETURN, HE GAVE THEM AN OEUVRE PARFUMÈE. THERE ARE NO FOOTNOTES FOR THE FUTURE. THE CRITIC IS A METAPHYSICIAN WHO WOULD RATHER FEIGN A REASON THAN ACCEPT AN APPEARANCE THEY CANNOT EXPLAIN. ∴ THERE IS NOTHING ELSE WORTH SAYING ABOUT HIM IN WORDS. ㅤ ㅤ ㅤ ㅤ ㅤ ㅤ ㅤ